Suggested Readings
Music 206: Emotions, Style and Meaning…
Reading list with some annotations
The pdf files of most of the paper can be found at http://music.ucsd.edu/~sdubnov/Mu206/
Introduction:
Common sense in AI, Minsky’s ideas on Music, role of body in reasoning and Sentics
“The St. Thomas Common Sense Symposium: Designing Architectures for Human-Level Intelligence”, Marvin Minsky, Push Singh, and Aaron Sloman, AI Magazine, 2004
“Music, Mind, and Meaning”, Marvin Minsky, Computer Music Journal, 1981,
“Building Brains for Bodies, Rodney Brooks and Lynn Andrea Stein, Autonomous Robots, 1 (1994)
“Time-Forms, Nature's Generators and Communicators of Emotion”, Manfred Clynes, IEEE International Workshop on Robot and Human Communication, Tokyo, Japan, Sept. 1992.
Decision Making and Mental Models:
Relation between rational behavior and mental models, what are the behavioral aspects of decision making and alternative models for games theory.
“Decision Making and Problem Solving”, by Herbert A. Simon et al., Research Briefings 1986
Greg
“Mental models: a gentle guide for outsiders”, P.N. Johnson-Laird, Vittorio Girotto, and Paolo Legrenzi, 1998
Arshia
“Behavioural studies of strategic thinking in games”, Colin F. Camerer, TRENDS in Cognitive Sciences Vol.7 No.5 May 2003
Mike / Joey
“Mental Models and Normal Errors”, Kevin Burns, 2002
Shlomo
Game theory and the Cuban missile crisis”, Steven J. Brams, 2001
David
Complexity:
Complexity in nature, cognition and music
Not assigned yet
"The Architecture of Complexity", The Sciences of the Artificial, By Herbert Simon, 1969
“Cognitive complexity and the structure of musical patterns”, Jeff Pressing.
“Complexity measures of musical rhythms”, Shmulevich, I., Povel, D.J. (2000). In P. Desain & L.Windsor, Rhythm perception and production
“Complexity Measures for complex systems and complex objects”, Pablo Funes
Emotions:
Models of Emotions in rationality and in music
Not assigned yet
“Beyond Shallow Models of Emotion”, Aaron Sloman, Cognitive Processing, Vol. 2, No 1, 2001
“Rationality and the Emotions”, Jon Elster, The Economic Journal, 1996
“Detecting Emotion in Music”, Tao Li and Mitsunori Ogihara, 2003
17. “Disambiguating Music Emotion using Software Agents”, Dan Yang, WonSook Lee, 2004
Affective Processing:
Algorithms and methods for affect processing
David (all 4 papers)
“Digital Processing of Affective Signals”, Jennifer Healey and Rosalind Pickard, ICASSP 98.
“Affective Content Detection using HMMs”, Hang-Bong Kang, MM’03
“Using audio features to model the affective response to music”, Marc Leman, Valery Vermeulen, Liesbeth De Voogdt, Dirk Moelants, ISMA2004
“Composing Affective Music with a Generate and Sense Approach”, Sunjung Kim and Elisabeth André, 2004
Improvisation and Emergence:
Greg (all 3 papers)
“Improvisation: Methods and Models”, in Generative processes in music (ed. J. Sloboda) Oxford University Press 1987
“The Mechanisms of Emergence”, R.K.Sawyer, Philosophy of Social Sciences, 2003
“Improvisational Cultures: Collaborative Emergence and Creativity in Improvisation”, R.K.Sawyer, Mind, Culture and Activity, 2000
Narrative:
Planning, form and narrative
Taken jointy by Michael and Joey
“Understanding Narrative is Like Observing Agents”, Guido Boella, Rossana Damiano, and Leonardo Lesmo, AAAI 1999
“Narrative Intelligence”, Michael Mateas and Phoebe Sengers, AAAI 1999
“Notes on the Use of Plan Structures in the Creation of Interactive Plot”, R. Michael Young, AAAI 99
“Improvisation and Narrative”, R.K.Sawyer, Narrative Inquiry, 2002
Style:
Learning surface features and local structures
“Style Machines”, Matthew Brand Aaron Hertzmann, SIGGRAPH 2000
Arshia
“Machine Learning of Musical Style”, Dubnov and Assayag, Computer Magazine, 2002
Shlomo
“Separating Style and Content”, J.B. Tennenbaum and W.T. Freeman, Adv. In NIPS, 1997
Arshia
“Style as a Choice of Blending Principles”, Joseph A. Goguen and D. Fox Harrell, 2004
Shlomo
Flow:
Is Flow and alternative for describing artistic experience?
“Quality of Experience in Virtual Environments”, Andrea GAGGIOLI, Marta BASSI, Antonella DELLE FAVE, 2003
Michael
“Improvisation Planning and Jam Session Design using concepts of Sequence Variation and Flow Experience”, Dubnov and Assayag, 2005
Shlomo
Musical Forces:
Physical metaphors and emotional forces
“Musical Forces and Melodic Expectations: Comparing Computer Models and Experimental Results”, Steve Larson, Music Perception, 2004
Arshia
“Influences of Large-Scale Form on Continuous Ratings in Response to a Contemporary Piece in a Live Concert Setting”, McAdams et al., Music Perception, 2004
Shlomo
“Structural and Affective Aspects of Music from Statistical Audio Signal Analysis”, Dubnov et al, JASIST 2005 Shlomo
Influential Aspects of Information:
Information is that which affects the listener
“Toward a Theory of Information Processing”, Sinan Sinanovi´c and Don H. Johnson, 2004.
Arshia
“Spectral Anticipations”, Dubnov, 2005
Shlomo
Computational Media Aesthetics:
Semantic gap between features and aesthetics
Joey (all 3 papers)
“Bridging the Semantic Gap in Content Management, Systems: Computational Media Aesthetics”, Chitra Dorai, Svetha Venkatesh
“Negotiating the semantic gap: from feature maps to semantic landscapes”, Rong Zhao, W.I. Grosky, Pattern Recognition 35 (2002)
“Where Does Computational Media Aesthetics Fit?”, Brett Adams, 2003
Total assignments so far: (as of April 4)
Arshia: 5
David: 5
Cristyn:
Joey: 3 + 5 jointly with Mike
Greg: 4
Mike: 1 + 5 joinly with Joey
Pei:
Shlomo: 3 + 3 of his own
Reading list with some annotations
The pdf files of most of the paper can be found at http://music.ucsd.edu/~sdubnov/Mu206/
Introduction:
Common sense in AI, Minsky’s ideas on Music, role of body in reasoning and Sentics
“The St. Thomas Common Sense Symposium: Designing Architectures for Human-Level Intelligence”, Marvin Minsky, Push Singh, and Aaron Sloman, AI Magazine, 2004
“Music, Mind, and Meaning”, Marvin Minsky, Computer Music Journal, 1981,
“Building Brains for Bodies, Rodney Brooks and Lynn Andrea Stein, Autonomous Robots, 1 (1994)
“Time-Forms, Nature's Generators and Communicators of Emotion”, Manfred Clynes, IEEE International Workshop on Robot and Human Communication, Tokyo, Japan, Sept. 1992.
Decision Making and Mental Models:
Relation between rational behavior and mental models, what are the behavioral aspects of decision making and alternative models for games theory.
“Decision Making and Problem Solving”, by Herbert A. Simon et al., Research Briefings 1986
Greg
“Mental models: a gentle guide for outsiders”, P.N. Johnson-Laird, Vittorio Girotto, and Paolo Legrenzi, 1998
Arshia
“Behavioural studies of strategic thinking in games”, Colin F. Camerer, TRENDS in Cognitive Sciences Vol.7 No.5 May 2003
Mike / Joey
“Mental Models and Normal Errors”, Kevin Burns, 2002
Shlomo
Game theory and the Cuban missile crisis”, Steven J. Brams, 2001
David
Complexity:
Complexity in nature, cognition and music
Not assigned yet
"The Architecture of Complexity", The Sciences of the Artificial, By Herbert Simon, 1969
“Cognitive complexity and the structure of musical patterns”, Jeff Pressing.
“Complexity measures of musical rhythms”, Shmulevich, I., Povel, D.J. (2000). In P. Desain & L.Windsor, Rhythm perception and production
“Complexity Measures for complex systems and complex objects”, Pablo Funes
Emotions:
Models of Emotions in rationality and in music
Not assigned yet
“Beyond Shallow Models of Emotion”, Aaron Sloman, Cognitive Processing, Vol. 2, No 1, 2001
“Rationality and the Emotions”, Jon Elster, The Economic Journal, 1996
“Detecting Emotion in Music”, Tao Li and Mitsunori Ogihara, 2003
17. “Disambiguating Music Emotion using Software Agents”, Dan Yang, WonSook Lee, 2004
Affective Processing:
Algorithms and methods for affect processing
David (all 4 papers)
“Digital Processing of Affective Signals”, Jennifer Healey and Rosalind Pickard, ICASSP 98.
“Affective Content Detection using HMMs”, Hang-Bong Kang, MM’03
“Using audio features to model the affective response to music”, Marc Leman, Valery Vermeulen, Liesbeth De Voogdt, Dirk Moelants, ISMA2004
“Composing Affective Music with a Generate and Sense Approach”, Sunjung Kim and Elisabeth André, 2004
Improvisation and Emergence:
Greg (all 3 papers)
“Improvisation: Methods and Models”, in Generative processes in music (ed. J. Sloboda) Oxford University Press 1987
“The Mechanisms of Emergence”, R.K.Sawyer, Philosophy of Social Sciences, 2003
“Improvisational Cultures: Collaborative Emergence and Creativity in Improvisation”, R.K.Sawyer, Mind, Culture and Activity, 2000
Narrative:
Planning, form and narrative
Taken jointy by Michael and Joey
“Understanding Narrative is Like Observing Agents”, Guido Boella, Rossana Damiano, and Leonardo Lesmo, AAAI 1999
“Narrative Intelligence”, Michael Mateas and Phoebe Sengers, AAAI 1999
“Notes on the Use of Plan Structures in the Creation of Interactive Plot”, R. Michael Young, AAAI 99
“Improvisation and Narrative”, R.K.Sawyer, Narrative Inquiry, 2002
Style:
Learning surface features and local structures
“Style Machines”, Matthew Brand Aaron Hertzmann, SIGGRAPH 2000
Arshia
“Machine Learning of Musical Style”, Dubnov and Assayag, Computer Magazine, 2002
Shlomo
“Separating Style and Content”, J.B. Tennenbaum and W.T. Freeman, Adv. In NIPS, 1997
Arshia
“Style as a Choice of Blending Principles”, Joseph A. Goguen and D. Fox Harrell, 2004
Shlomo
Flow:
Is Flow and alternative for describing artistic experience?
“Quality of Experience in Virtual Environments”, Andrea GAGGIOLI, Marta BASSI, Antonella DELLE FAVE, 2003
Michael
“Improvisation Planning and Jam Session Design using concepts of Sequence Variation and Flow Experience”, Dubnov and Assayag, 2005
Shlomo
Musical Forces:
Physical metaphors and emotional forces
“Musical Forces and Melodic Expectations: Comparing Computer Models and Experimental Results”, Steve Larson, Music Perception, 2004
Arshia
“Influences of Large-Scale Form on Continuous Ratings in Response to a Contemporary Piece in a Live Concert Setting”, McAdams et al., Music Perception, 2004
Shlomo
“Structural and Affective Aspects of Music from Statistical Audio Signal Analysis”, Dubnov et al, JASIST 2005 Shlomo
Influential Aspects of Information:
Information is that which affects the listener
“Toward a Theory of Information Processing”, Sinan Sinanovi´c and Don H. Johnson, 2004.
Arshia
“Spectral Anticipations”, Dubnov, 2005
Shlomo
Computational Media Aesthetics:
Semantic gap between features and aesthetics
Joey (all 3 papers)
“Bridging the Semantic Gap in Content Management, Systems: Computational Media Aesthetics”, Chitra Dorai, Svetha Venkatesh
“Negotiating the semantic gap: from feature maps to semantic landscapes”, Rong Zhao, W.I. Grosky, Pattern Recognition 35 (2002)
“Where Does Computational Media Aesthetics Fit?”, Brett Adams, 2003
Total assignments so far: (as of April 4)
Arshia: 5
David: 5
Cristyn:
Joey: 3 + 5 jointly with Mike
Greg: 4
Mike: 1 + 5 joinly with Joey
Pei:
Shlomo: 3 + 3 of his own
posted by Shlomo Dubnov at 9:21 PM
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